“and fly they bloody well did”

“Peter’s getting-up procedures were less taxing to the spirit than [his friends] Charlie’s or Malcolm’s but they were no less rigid. They had stopped being what you hurried heedlessly through before you did anything of interest and had turned into a major event of his day, with him very much on his own, which was right for an oldster’s day. Among such events it was by far the most strenuous performance. The section that really took it out of him was the actual donning of clothes, refined as this had been over the years, and its heaviest item was the opener, putting his socks on. At one time this had come after instead of before putting his underpants on, but he had noticed that that way round he kept tearing them with his toenails.
      Those toenails had in themselves become a disproportion in his life. They tore the pants because they were sharp and jagged, and they had got like that because they had grown too long and broken off, and he had let them grow because these days cutting them was no joke at all. He could not do it in the house because there was no means of trapping the fragments and Muriel [his wife] would be bound to come across a couple, especially with her bare feet, and that was obviously to be avoided. After experimenting with a camp-stool in the garage and falling off it a good deal he had settled on a garden seat under the rather fine flowering cherry. This restricted him to the warmer months, the wearing of an overcoat being of course ruled out by the degree of bending involved. But at least he could let the parings fly free, and fly they bloody well did, especially the ones that came crunching off his big toes, which were massive enough and moved fast enough to have brought down a sparrow on the wing, though so far this had not occurred.”

—A description of daily dressing, and cutting toenails, from Kingsley Amis’s The Old Devils, about a group of elderly couples living in Wales. This is from the point-of-view of Peter, elsewhere described as “a large, lumpish figure.”